5 Best Camera For Product Photography in 2022 – Reviewed
Photography, one of the major trend from years. The field of photography is booming industries from a lot of time. Being one of the most loved field, photography has attracted many minds and deep love towards itself and even have a career towards passion.
Many people travel to experience the best views of there and to save them on their camera. By photography, we take pictures of different things with such angles and precision that we are forced to realise the hidden beauty in it.
This could be anything from your hot cup of coffee which starts your day to the old building in your area square. Everything picture defines the nature holds the real beauty hidden in it whether it’s a normal window or its northern lights.
Although techniques and angles are essential to capture the photo perfectly. The quality of your camera plays an important role too. The pixels quality, image quality, features and performance depends upon your chosen model.
If you are a photography lover and landed on product photography or you are planning to do product photography then surely, you will need a good camera that will fulfil your needs.
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Look for the camera that will help you bring the best from you on the subject you are photographing. In short, you need a workhorse that is always ready to handle works load and fulfil your needs.
Due to the reason that the market is full of cameras, we present you the best cameras for product photography. We are just not presenting the best cameras but also giving you a guide to follow when buying these cameras.
The skills level, techniques, and products you will be photographing might change the needs a little but with excellent camera setting and angles, your camera will be in handy now and in the future. Without any further delay, let’s go on with the topic.
Best Camera For Product Photography
In the field of product photography, you need to be careful while shooting the products, as this might make your sales or break your sales too. These cameras are our top picks for product photography.
24.2MP CMOS sensor with no optical low-pass filter
1/8000 sec maximum shutter speed
Multi-CAM 3500DX II 51-point AF system, all sensitive to -3EV
6 fps continuous shooting (7 fps in 1.3x crop mode) with increased buffer depth
3.2″, 1.2M dot RGBW LCD display
2,016-pixel RGB metering sensor, used for 3D subject tracking in AF-C
1080/60p video (1.3x crop only) with clean output over HDMI and Flat Picture Control
Dual SD card slots
ISO 100-25,600, with ISO 51,200 and 102,400 black and white modes
Wi-Fi with NFC
Magnesium alloy weather-sealed body
One of the favourite and top-rated camera in the past few years is Nikon D7200. It was introduced in February 2013. The camera isn’t a radical upgrade by other means. Still, the camera keeps on adding the important features that are improved autofocus, notably a large buffer, performance in low light, Wi-Fi with NFC, 60p Video and 15% battery life.
The D7200 is one of the high-end APS-C cameras, and only in the DX-format camera in the company’s current line-up to support autofocus on screw drive lenses.
The camera fits in the same class in which CannonEOS 7D MARK II, Pentax K-3 and Sony SLT-A77 II DSLRs lie, the class also includes Fujifilm X-t1, Olympus OM-D E-M5 II, Sony Alpha 7 II, and Samsung NX1 mirrorless cameras. In short words, it’s a very crowded field.
One of the most important features of this camera is the improved AF system. The updated model of this camera comes with the Multi-CAM 3500DX II system, which offers 51 AF points (the central 15 are of cross-type).
All those points are sensitive to -3EV, unlike the previous version D7100 which is limited to -2EV. The D7200 can now extend its IOS higher but with a catch. By noticing the little colour detail left at ISO 51,200 and 102,400, the two chooses sensitivities from Nikon is black and white. Two other new features to note are 60p video making (flat picture control and stills) and Wi-Fi.
The video quality is friendly with the available 1.3x crop mode. The D7200 also has Wi-Fi with NFC which Nikon has named ‘Snap Bridge’ which enables the remote camera control and image transfer.
The interesting thing to note is that sensor has slightly different pixel count to its procedure, which enables a new sensor. This is a significant change and performed well in many cases.
The version of Toshiba sensor used in D7100 appears in D7200 too, but it comes with an improvement in dynamic range due to complete lack of binding in shadows of ISO base files. The improved autofocus features of this camera is a big deal.
You can easily work in the dim surrounding as the camera will continue to focus on an object on darker situations. Lastly, the battery life, as it is fitted with more efficient Expeed 4 processor, so it can manage to squeeze another 160 shots taken, transferred and shared, which is a piece of cake if you have an NFC-compatible Smartphone.
30 fps shooting in 1.25x crop with an electronic shutter
20 fps shooting with AF (11 fps with mechanical shutter)
‘Sports Finder’ mode gives a preview of the area around a 1.25x crop
3.69M-dot electronic viewfinder
The 425-point hybrid AF system
10 bit 4:2:0 H.265 internal video capture (4:2:2 over HDMI)
UHD/DCI 4K/30p using the full width of the sensor
UHD/DCI 4K/60p from 1.18x crop region
Three-axis tilting touchscreen
USB C-type connector can be used for charging the battery
Dual UHS-II SD card slots
USB C-type connector can be used for charging the battery
Headphone and Mic Sockets
The X-T3 is so good that even if you find negatives with the microscope, you find any. The announcement of Fujifilm was straight after the release of Sony and Nikon mirrorless camera releases.
When the X-T2 has arrived, it shocks the market with its modest upgrade and impressive image quality. The new X-T3 comes with the same overall design of the camera and repeats the same tricks, and we can say that it represents a significant step forward.
The exterior might look identical but the interior was made pretty overhaul. Fujifilm is one of the best cameras you can get for product photography. It’s one of the best mirrorless cameras in the market right now.
The X-T3 comes with a new 26.1-megapixel lens. This is the first Fujifilm’s back-illuminated X-trans sensor, and it means that the electronic sensor is at the back of the sensor and not obscuring the photodiodes at the front. This results in better light gathering and better overall quality image. Besides, the new sensor has 2.16 million phase detection sensors spread over the full image area.
The AF performance is boosted by the inclusion of new fitted X-processor 4 image processor which is three times faster than the X-T2.
This result is speedier focusing of the object and excellent subject tracking, besides it also performs excellent in low lights, as it has an increase in sensitivity, down to -3EV. Talking about AF performance, the T-X3 can shoot up to 11fps with its mechanical shutter and an incredible 30 fps in electronic shutter mode with 1.25x cropped ‘sports finder’ mode.
The camera is a mid-sized mirrorless camera that is perfect for product photography because this camera is capable of capturing 10-bit 4k video at up to 60p with the 4:2:0 colour sampling, if you are using an external recorder, this goes up to 4:2:2.
The advantage of its design is that you can see the camera settings without switching it on, the manual adjustments have made it more comfortable with the dedicated physical dials than it’s to press a button, turn on the camera and then turn dials and peer.
Fuji claims that the camera has a refresh rate of 100fps and gives a lag of just 0.005 seconds to refresh the scene. This means the smoother and faster catching of the moment or scene. Its bigger buffer depth helps in reaching to the core of the image. The X-T3 enjoys the premium status in its own class.
New 30.4MP CMOS full-frame sensor with Dual Pixel AF
DCI 4K 30/24p video using Motion JPEG + 4K Frame Grab
61-point AF system with 41 cross-type sensors (centre point sensitive to -3 EV)
Dual Pixel AF (sensitive to -4EV) for continuous Servo AF in stills (first for a full-frame Canon camera) and video
ISO 100-32000 (expandable to 102400)
7 fps continuous shooting
Dual Pixel Raw (image micro-adjustment, bokeh shift, ghosting reduction)
150,000-pixel RGB+IR metering sensor
1.62M-dot 3.2″ full-time touchscreen
Wi-Fi w/ NFC + GPS
Built-in bulb timer interval timers
The cannon 5D series is notably one of the best series released and in this series mark IV is designed to completer the need of enthusiast and professionals. It’s similar to its predecessor by looks.
Still, it receives some serious upgrades under the hood including a high-resolution sensor with dual-pixel autofocus, upgraded AF system, and 4k video capture, and improved weather sealing, touchscreen, built-in Wi-Fi/NFC, GPS and an internal timer. All these improvements and add-ons make the camera the right choice for product shoots and photography.
It’s built with a 30.4MP CMOS sensor and uses the 6+ digit processor. The Auto-Focus system of this camera is from flagship 1D X mark II and contains 61 points from which 41 are of cross-type. With its up-to 24% expandable vertical coverage it offers an excellent capturing of the whole scene.
The 4k video capture is a plus to this camera, which allows it to grabs 4k frames and gives effectively 30fps stills shooting with a dual pixel. The centre point is sensitive when shifted to -3EV in One Shot (AF-S) mode, in the case of live view the sensor is sensitive to -4EV with a fast lens.
While production of this beast, cannon take feedbacks from the users of 5D series and came to know that resolution, AF speed, AF precision and dynamic range, these four are the most important improvement requested so Cannon addresses all the improvements nicely in it.
This is the first full framer camera of cannon that continuously focus on the lie view during the still capturing and this is because of dual pixels. The camera is good at sticking at the original subject (or face), and you can easily specify the subject or face by tapping on the touch screen in “face detection” mode.
The camera comes with some new tricks like Dual pixel Raw, nifty option that helps in to improve the shooting in specific scenarios. Unlike previous models in 5D series, this camera is fitted with two 30 megapixels camera, each of them “left-looking” and “right-looking” contains photodiodes at each pixel.
This allows the camera to perform better in image micro-adjustments, bokeh shifts and ghosting reduction in cannon supplied Digital photo Software.
If you are looking for a camera that has excellent resolution, then Canon EOS 5DS is more worth considering the option. Still, in other cases, Canon EOS 5D Mark IV is far more good option than others.
30mp sensor ahead step from 24 mp rivalsnSolid build and handling
10 fps shooting with full AF, 8 fps with ‘live’ updates between shots
Faster, lower-noise image processing
Improved autofocus, including more tenacious Eye AF mode
3.69M-dot (1280 x 960 pixel) OLED viewfinder
Bayer-cancelling multi-shot mode for improved resolution
5-axis image stabilisation, rated at 5.5 stops (CIPA) with 50mm lens
Video AF less inclined to refocus to background
‘Picture Profile’ video gamma/gamut modes including S-Log2 and 3
True 14 bit uncompressed Raw, even in continuous drive mode
Twin SD Card slots (one UHS-I and one UHS-II compatible)
4K footage from ‘Super 35’ crop region oversampled from 5K capture
Use of phase detection (including Eye AF) at three fps with adapted lenses
Sony a7R III is the latest high-resolution full-frame mirrorless camera from Sony. Like it’s the previous model, mark III is built with 42 megapixel BSI CMOS, and unlike the a7R II its shoots ten frames per second.
It seems like the a7R III has learnt many things from Sony’s pro-sport model which is the a9. The camera comes with improved autofocus, faster processing, improved handling and ergonomics, and a long-lasting battery. All these qualities sum up and make it a capable and highly useable camera.
Sony’s claims that this camera doesn’t gain the full advantages of a9 but this performs well in every condition. It is based on the same 42-megapixel backside-illuminated CMOS sensor.
This camera comes with a touchscreen and dedicated joystick for better AF positioning. Sony says that the video shooting capabilities of this phone are always surprising. The things that improve its dynamic range are the image processor and circulatory that drives it new and make the usage smooth and pretty.
It uses the same chassis as Sony a7R II so the body looks like it. The camera is measured by 3.8 x 5.0 x 2.9 inches (HWD) and it weighs 1.5 pounds. The body of this camera is protected from dust and splashes of water as the other Sony lenses.
The physical changes include touch sensitivity of the LCD, dedicated focus selector (like you get with a9), larger EVF, dual memory card slots, and a higher capacity battery.
The Sony a7R III has finally a dedicated control to manage and adjust the autofocus area. We would say this is a god sent gift if you like to shoot a flexible spot for focus. The LCD supports touch input which is first in a7 series, and it’s a feature which we see in many modern cameras.
The display is three inches in size, here comes another and a vast improvement, unlike a7R II which packs 1,228k-dot screen resolution it covers 1,440k-dot resolution. In short, it is a camera with improved customisation and deep grip on an object with amazing and easy to understand laid-out menus and enhanced battery life.
5.Sony A6000 – Best Camera For Product Photography
24.3 megapixel APS-C CMOS sensor
Bionz X image processor
Built-in flash + Multi-Interface Shoe
Hybrid AF system with 25 contrast-detect and 179 phase-detect points
3-inch tilting LCD with 921,600 dot
11 fps continuous shooting with subject-tracking
Diffraction correction, area-specific noise reduction, and detail reproduction technology
OLED electronic viewfinder with 1.44M dots
Wi-Fi with NFC capability and downloadable apps
Full HD video recording at 1080/60p and 24p; clean HDMI output
A few months ago Son finally decided to drop the NEX from its E-mount compact systems cameras. It’s been a long time since Sony A6000 has released this mirrorless camera, and the company is now ruling the market. It lies between NEX-5 and NEX-6 and offers a camera with strong features for photographers.
This camera comes with two outstanding features that don’t appear with the previous model, first is exposure mode dial and other is ISO-standard hot shoe. Sony a6000 falls in the same category for Sony’s mirrorless lineup but there is a number of features add up in it.
The new Sony A6000 comes with improved resolution and processors, and the most crucial feature it includes is the updated hybrid AF system. Unlike the NEX-6 which had 99 phase-detection and covered up to 50% of the sensor, the a6000 has 179 and cover up to 92% of the sensor.
Combined with the Bionz X processor, allows the camera to shoot continuously at 11 fps with subject tracking. Sony claims that Sony a6000 has the fastest AF performance than any other camera in the market, though these statements will be proven wrong as we are moving to the technological era day-by-day.
May be Sony themselves will produce a camera whose AF performance is faster than a6000. Unfortunately, the only losses with this model are lower resolution, SVGA viewfinder, and NEX-6 level gauge, which seems like it’s only removed to lower prices. But these cost-cutting techniques seems to work fortunately.
It comes with 24 megapixels ‘Exmore APS HD’ CMOS sensor. As Son promises, the camera is better in AF tracking. One thing that was quite similar to NEX-6 is movie mode.
The menu system has switched to a new ‘alpha’ style which is found in a7 and a7R. The camera can easily be controlled by a PC or Mac with the help of a USB connection.
The camera is available in two colours only silver and black. The camera stills so responsively even in today’s standard. Those photographers who enjoy a lot of button and dials will feel amazing as it has plenty of buttons available. These buttons offer you an array of options by which you can adjust the camera the way you like it.
The grip is comfortable and makes the camera easy to hold even with a larger and heavy lens like Sony 18-135mm f/3.5-5.6. Overall Sony is the right choice that offers excellent features and comes with a decent price tag.